On Cinema One last Monday night I caught the second half of
Ikaw Pa Lang Ang Minahal, the 1992 film directed by Carlos Siguion-Reyna and topbilled by Maricel Soriano, Richard Gomez, Charito Solis, and Eddie Gutierrez.
I don't know, the movie just didn't age well (unlike, say,
A Few Good Men or
Unforgiven, both of which also opened exactly two decades ago). For a multi-awarded drama,
Ikaw Pa Lang Ang Minahal is cringeworthy and unintentionally hilarious. My whole experience was perfectly summed up by the twelve-year-old who watched with us and
Spoiler! astutely remarked: "This is painful to watch."
…
I went on Google to find the film's exact title and encountered
this nearly two-year-old article where the writer said that Maricel Soriano should've won an award for her "tour de force performance." I thought,
Okay, that tour de force bit is a stretch but whatever, everyone's entitled to their own opinion, yadda-yadda-yadda.
I soon discovered that the same writer has commended everyone and their mothers, it seems, for "tour de force" performances (
Jean Garcia,
Anita Linda,
Coco Martin,
Eugene Domingo, and
Gina Pareño) and portrayals (
Rustica Carpio,
Susan Roces,
Judy Ann Santos, and
Glaiza de Castro). Hell, even singing (
Raymond Lauchengco)!
It looks like somebody found a nice, highfalutin phrase of French origin he could drop in articles as a fancy adjective (when it's not really an adjective). I wouldn't be surprised if the writer in fact describes everything—from overwrought, beat-you-over-the-head acting to his bowel movement in the mornings, and everything else in between—as "tour de force."
Like Iñigo Montoya I can only go,
You keep using that word; I do not think it means what you think it means.